Today would have been Gianni Versace’s 65th birthday.
For a man who had dedicated his life to family, friends and making wonderful clothes, he met a bloody and brutally unnecessary end, shot dead outside his Florida home just over 14 years ago.
I had the pleasure of not only knowing him but working with him on many occasions. I would like to think that, had he still been alive, the pace of his life would not have slowed at an age when many are thinking only of retirement and relaxation.
He would have kept working with the same eye for detail, sheer love of his work and a slight sense of mischief. To think of his not being here, there is not only the personal loss from the death of someone I knew both as a professional and a private individual but a real sense of what the world of fashion lost when he died.
Gianni Versace had, in my opinion, an almost unique approach to women’s fashion. He told me that, as a boy, he had dreamt not of designing clothes but designing buildings. I don’t think that understanding of perspective, of form and structure ever left him. He was a sartorial architect, constructing beautiful, balanced garments in a way which few stylists have ever been able to match.
With all due respect to great designers past and present, Gianni Versace maintained a personal involvement in generating collections and cultivating relationships with his customers in a way that is sometimes hard to relate to today. Although hugely successful, he was not a commodity or a brand but an artist, composing sensuous, striking outfits using the female form as his canvas.
Even though he had his own menswear label, Gianni Versace was a designer who principally had the ability to make women appear truly glamorous. I recall that he used to love the smell of patchouli mingling with the warm, natural scent of female skin. It used to fire his imagination, he said, inspiring him to more audacious flights of fashionable fantasy.
On one occasion, I recall him – the perfectionist that he was – personally overseeing the construction of a new stage set the day before a show in Munich. His architectural sensibilities appreciated how the addition of a single extra step for his models to walk down would heighten the drama when combined with the right mix of light, music and couture.
There may be other great designers but we possibly will never see Gianni Versace’s like again.
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Please click here to see full story in the Huffington Post from today.











